Cerita Pendek & Antologi Buku Audio

The Islands follows the lives of Jamaican women-immigrants or the descendants of immigrants-who have relocated all over the world to escape the ghosts of colonialism on what they call the Island. Set in the United States, Jamaica, and Europe, these international stories examine the lives of an uncertain and unsettled cast of characters. In one story, a woman and her husband impulsively leave San Francisco and move to Florida with wild dreams of American reinvention only to unearth the cracks in their marriage. In another, the only Jamaican mother-who is also a touring comedienne-at a prep school feels pressure to volunteer in the school's International Day. Meanwhile, in a third story, a travel writer finally connects with the mother who once abandoned her. Set in locations and times ranging from 1950s London to 1960s Panama to modern-day New Jersey, Dionne Irving reveals the intricacies of immigration and assimilation in this debut, establishing a new and unforgettable voice in Caribbean-American literature. Restless, displaced, and disconnected, these characters try to ground themselves-to grow where they find themselves planted-in a world in which the tension between what's said and unsaid can bend the soul.

A debut, interlinked collection of stories exploring the primal nature of women’s grief—offering insight into the profound experience of loss and the absurd ways in which we seek control in an unruly world. Seamlessly shifting between the speculative and the blindingly real, balancing the bizarre with the subtle brutality of the mundane, A Manual for How to Love Us is a tender portrait of women trying their best to survive, love, and find genuine meaning in the aftermath of loss. In these unconventional and unpredictably connected stories, Erin Slaughter shatters the stereotype of the soft-spoken, sorrowful woman in distress, queering the domestic and honoring the feral in all of us. In each story, grieving women embrace their wildest impulses as they attempt to master their lives: one woman becomes a “gazer” at a fraternity house, another slowly moves into her otherworldly stained-glass art, a couple speaks only in their basement’s black box, and a thruple must decide what to do when one partner disappears. The women in Erin Slaughter’s stories suffer messy breaks, whisper secrets to the ghosts tangled in the knots of their hair, eat raw meat to commune with their inner wolves, and build deadly MLM schemes along the Gulf Coast. Set across oft-overlooked towns in the American South, A Manual for How to Love Us spotlights women who are living on the brink and clinging to its precipitous edge. Lyrical and surprisingly humorous, A Manual for How to Love Us is an exciting debut that reveals the sticky complications of living in a body, in all its grotesquerie and glory.

A playful and deeply affective short story collection about the histories, technologies, and generational divides that shape our relationships—from the award-winning writer of Days of Distraction Compelling and perceptive, Tomb Sweeping probes the loyalties we hold: to relatives, to strangers, and to ourselves. In stories set across the US and Asia, Alexandra Chang immerses us in the lives of immigrant families, grocery store employees, expecting parents, and guileless lab assistants. A woman known only to her neighbors as “the Asian recycling lady” collects bottles from the streets she calls home. A young college grad ponders the void left from a broken friendship. An unfulfilled housewife in Shanghai finds a secret outlet for her ambitions in an undercover gambling den. Two strangers become something more through the bond of mistaken identity. These characters, adeptly attuned to the mystery of living, invite us to consider whether it is possible for anyone to entirely do right by another. Tomb Sweeping brims with remarkable skill and talent in every story, keeping a definitive pulse on loss, community, and what it means to feel fully alive. With her debut story collection, Chang further establishes herself as “a writer to watch” (New York Times Book Review). 

 “Ana Castillo is an American treasure. Fearless, compassionate, and flat-out brilliant—she is the writer we need as we navigate the challenges of our ever-changing world.”—Tayari Jones, author of An American Marriage “Ana Castillo is de primera storyteller.”—award-winning author Julia Alvarez Literary legend Ana Castillo explores the secrets that are kept within households and the women they impact the most in this breakout collection that cements her place as a leading voice in feminist fiction. The first person in her traditional Mexican American family to graduate from high school, Katia is entering adulthood at a time of turbulent change. Across the nation young people are fighting for civil and women’s rights and protesting the Vietnam War and brutal dictatorships in South America. Like so many of her generation, Katia wants to make the world a better place, and is determined to follow her own path.  As she considers moving to California to join La Causa, Mexican American activist Cesar Chavez’s movement to improve the working conditions of migrant farmer workers, Katia receives an unexpected gift from her father: a plane ticket to Mexico City. Bring back your mother, he says, tell her, her children need her. And so Katia joins this cause, to get Tina back to Chicago. But it won't be easy. Katia must learn to navigate a liberated version of her mother in a new country where she is now hawking supposedly superior cleaning products, called Donna Clean Well.  Katia is but one of the voices introduced in this dazzling collection of short fiction from revered writer Ana Castillo. Spanning from Chicago to Mexico to New Mexico, the stories in Doña Cleanwell Leaves Home illuminate a chorus of people whose stories will leave you breathless.

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume. Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us. An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 parts representing the 13 Mayan Moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón and celebrated Cervantes Prize–winner Dulce María Loynaz; lyric essays from New York Times bestselling author Naima Coster, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book. More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them.  In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Giannina Braschi, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more. Supplemental enhancement PDF accompanies the audiobook.

From an award-winning team of editors comes an anthology of thirty-two original stories showcasing the breadth of fantasy and science fiction from Africa and the African Diaspora. A group of cabinet ministers queries a supercomputer containing the minds of the country’s ancestors. A child robot on a dying planet uncovers signs of fragile new life. A descendant of a rain goddess inherits her grandmother’s ability to change her appearance—and perhaps the world. Created in the legacy of the seminal, award-winning anthology series Dark Matter, Africa Risen celebrates the vibrancy, diversity, and reach of African and AfroDiasporic science fiction and fantasy and reaffirms that Africa is not rising—it’s already here.

Winner of The Story Prize Longlisted for the Joyce Carol Oates Prize A Time Top 10 Best Fiction Book of 2023 and Must Read Book of 2023 A New York Times Book Review Editors’ Choice Named a Best Book of the Year by The New Yorker, Vanity Fair, Library Journal, Electric Literature, and the New York Public Library “Expansive, haunting, and intimate, Paul Yoon’s new short story collection The Hive and the Honey…shows Yoon at the height of his powers.” —Sabir Sultan, Pen America From the beloved award-winning author Paul Yoon comes a spectacular collection of unique stories, each confronting themes of identity, belonging, and the collision of cultures across countries and centuries. A boy searches for his father, a prison guard, on Sakhalin Island. In Barcelona, a woman is tasked with spying on a prizefighter who may or may not be her estranged son. A samurai escorts an orphan to his countrymen in the Edo Period. A formerly incarcerated man starts a new life in a small town in upstate New York and attempts to build a family. The Hive and the Honey is a “virtuosic” (Vanity Fair) collection by celebrated author Paul Yoon, one that portrays the vastness and complexity of diasporic communities, with each story bringing to light the knotty inheritances of their characters. How does a North Korean defector connect with the child she once left behind? What are the traumas that haunt a Korean settlement in Far East Russia? “Absorbing...Yoon details fully realized and flawed characters attempting to wade through the complexities of immigrant life...[and] asks urgent questions about what it really means to belong somewhere.” —Time, 100 Must-Read Books of 2023

“A captivating exploration of gender dynamics, set against a background of the trying and confusing time of adolescence, when identity is in flux and everything in life is unstable and magical.” —Lydia Conklin, author of Rainbow Rainbow A fresh, thoughtful, and always surprising short story collection from a rising young star in the world of Japanese literature. Composed of the title novella and three short stories, People Who Talk to Stuffed Animals Are Nice sensitively explores gender, friendship, romance, love, human interaction and its absence, and how a misogynistic society limits women and men. In the title story, Nanamori and Mugito, two university students appalled by society’s gendered roles, rebel. Refusing to interact with other people they use stuffed toys for emotional support. Unlike Nanamori and Mugito, their fellow plushie society member Shiraki does not talk to plushies. Pragmatic, she accepts the status quo that boys sometimes make nasty jokes; she believes their behavior resembles the real world. In “Realizing Fun Things Through Water,” a young woman named Hatsuoka must contend with a mother-in-law who swears by cancer-preventing “hyper-organization” water, and a sister who writes fake news for a living. “Bath Towel Visuals” illuminates the mental cost of not just laughing along at mean humor, while “Hello, Thank You I’m Okay” follows a family’s response when their shut-in son announces he wants to throw himself a birthday party. Written in brisk and gentle prose, Ao Omae’s stories capture the subtleties and complexities of his characters’ inner world, individuals struggling to conform in an inflexible society little tolerant of difference. These stories, sometimes comical, sometimes bittersweet, and always thought-provoking, speak to the pain and desires of all who embrace nuance, repudiate traditional sex roles, and long for a gentler and more tolerant world.

The vibrant stories in this award-winning collection explore race, identity, connection, and belonging in the Ironbound, an immigrant neighborhood in Newark, New Jersey.

This dazzling debut collection, a meditation on belonging, spans a century of Black American and Afro-Latino life in Puerto Rico, Pittsburgh, Louisiana, Miami, and beyond.

What does it mean to really see the world around you—to bear witness? And what does it cost us, both to see and not to see? In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters—from children to grandmothers to ghosts—live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect with, stand up for, care for, and remember one another, they often fall short, and the structures they build around these ambitions and failures shape their futures as well as the legacies and prospects of their communities and their city. In its portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief, and the meaning of home, Witness enacts its own testimony. Here is a world where fortunes can be made and stolen in just a few generations, where strangers might sometimes show kindness while those we trust—doctors, employers, siblings—too often turn away, where joy comes in snatches: flowers on a windowsill, dancing in the street, glimpsing your purpose, change on the horizon. With prose as upendingly beautiful as it is artfully, seamlessly crafted, Jamel Brinkley offers nothing less than the full scope of life and death and change in the great, unending drama of the city.

Longlisted for the 2024 Carnegie Medal for Excellence in Fiction, a startling and vivid debut novel in stories from acclaimed poet and translator Fiona Sze-Lorrain, featuring deeply compelling Asian women who reckon with the past, violence, and exile—set in Shanghai, Beijing, Singapore, Paris, and New York. Composed of several interconnected stories, each taking place in a year ending with the number six, ironically a number that in Chinese divination signifies “a smooth life,” Dear Chrysanthemums is a novel about the scourge of inhumanity, survival, and past trauma that never leaves. The women in these stories are cooks, musicians, dancers, protestors, mothers and daughters, friends and enemies, all inexplicably connected in one way or another. “Cooking for Madame Chiang,” 1946: Two cooks work for Madame Chiang Kai-shek and prepare a foreign dish craved by their mistress, which becomes a political weapon and leads to their tragic end. “Death at the Wukang Mansion,” 1966: Punished for her extramarital affair, a dancer is transferred to Shanghai during the Cultural Revolution and assigned to an ominous apartment in a building whose other residents often depart in coffins. “The White Piano,” 1966: A budding pianist from New York City settles down in Paris and is assaulted when a mysterious piano arrives from Singapore. “The Invisible Window,” 2016: After their exile following the Tiananmen Square massacre, three women gather in a French cathedral to renew their friendship and reunite in their grief and faith. With devastating precision, a masterly ear for language, and a profound understanding of both human cruelty and compassion, Fiona Sze-Lorrain weaves Dear Chrysanthemums, an evocative and disturbing portrait of diasporic life, the shared story of uprooting, resilience, artistic expression, and enduring love.

A richly detailed, brilliantly woven debut collection about the lives and lore of one Black family Shannon Sanders’s sparkling debut brings us into the company of the Collins family and their acquaintances as they meet, bicker, compete, celebrate, worry, keep and reveal secrets, build lives and careers, and endure. Moving from Atlantic City to New York to DC, from the 1960s to the 2000s, from law students to drag performers to violinists to matriarchs, Company tells a multifaceted, multigenerational saga in thirteen stories. Each piece includes a moment when a guest arrives at someone’s home. In “The Good, Good Men,” two brothers reunite to oust a “deadbeat” boyfriend from their mother’s house. In “The Everest Society,” the brothers’ sister anxiously prepares for a home visit from a social worker before adopting a child. In “Birds of Paradise,” their aunt, newly promoted to university provost, navigates a minefield of microaggressions at her own welcome party. And in the haunting title story, the provost’s sister finds her solitary life disrupted when her late sister’s daughter comes calling. These are stories about intimacy, societal and familial obligations, and the ways inheritances shape our fates. Buoyant, somber, sharp, and affectionate, this collection announces a remarkable new voice in fiction.

Stories of uncanny originality from a Finalist for the Pulitzer Prize in Fiction Pushing intimacy to its limits in prose of unearthly beauty, Vauhini Vara explores the nature of being a child, parent, friend, sibling, neighbor, or lover, and the relationships between self and others. A young girl reads the encyclopedia to her elderly neighbor, who is descending into dementia. A pair of teenagers seek intimacy as phone-sex operators. A competitive sibling tries to rise above the drunken mess of her own life to become a loving aunt. One sister consumes the ashes of another. And, in the title story, an experimental artist takes on his most ambitious project yet: constructing a life-size ark according to the Bible's specifications. In a world defined by estrangement, where is communion to be found? The characters in This Is Salvaged, unmoored in turbulence, are searching fervently for meaning, through one another.

Longlisted for the Carnegie Medal for Excellence | Named a Best Book of 2023 by Library Journal and Debutiful An eerie, irresistible debut story collection about the bonds and bounds of community and what it means to call a place home, “perfect for readers of Margaret Atwood and Carmen Maria Machado” (Booklist). “A writer to watch if there ever was one.” —Nana Kwame Adjei-Brenyah, author of Chain-Gang All-Stars “Kelsey Norris’s carefully and beautifully crafted tales left me laughing, gasping, and completely enthralled.” —Deesha Philyaw, author of The Secret Lives of Church Ladies A group of women contemplate violence after they’re sent into foreign territory to make husbands of the enemy. A support network of traumatized joggers meets to discuss the bodies they’ve found on their runs. And a town replaces its Confederate monument with a rotating cast of local residents. Slippery but muscular, sly but electric, this stunning debut collection moves from horror to magical realism to satire with total authority. In these stories, characters build and remake their sense of home, be it with one another or within themselves. As in the very best collections, each of these stories is a world all its own, with a novel’s emotional heft and a poem’s laser focus on the most achingly resonant details of its characters’ lives. Captivating from start to finish, House Gone Quiet announces the arrival of a thrilling literary talent.

“The most profound terror is rooted in love—the terror of losing love, of love betrayed, of love in peril. Justin C. Key’s work is a cold knife through a hot heart, a surgical blade unleashing gouts of searing fear.”—Cory Doctorow, author of Red Team Blues, Little Brother, and Radicalized “An electrifying collection of stories that would make Octavia E. Butler smile.”—Ebony Black Mirror meets Get Out in this gripping story collection reminiscent of the work of Octavia E. Butler, which deftly blends science fiction, horror, and fantasy to examine issues of race, class, and prejudice—an electrifying, oftentimes heartbreaking debut from an extraordinary new voice. Justin C. Key has long been obsessed with monsters. Reading R. L. Stine’s Goosebumps as a kid, he imagined himself battling monsters and mayhem to a triumphant end. But when watching Scream 2, in which the movie’s only Black couple is promptly killed off, he realized that the Black and Brown characters in his favorite genre were almost always the victim or villain—if they were portrayed at all. In The World Wasn’t Ready for You, Key expands and subverts the horror genre to expertly explore issues of race, class, prejudice, love, exclusion, loneliness, and what it means to be a person in the world, while revealing the horrifying nature inherent in all of us. In the opening story, “The Perfection of Theresa Watkins,” a sci-fi love story turned nightmare, a husband uses new technology to download the consciousness of his recently deceased Black wife into the body of a white woman. In “Spider King,” an inmate agrees to participate in an experimental medical study offered to Black prisoners in exchange for early release, only to find his body reacting with disturbing symptoms. And in the title story, a father tries to protect his son, teaching him how to navigate a prejudiced world that does not understand him and sees him as a threat. The World Wasn’t Ready for You is a gripping, provocative, and distinctly original collection that demonstrates Key’s remarkable literary gifts—a skill at crafting science fiction stories equaled by an ability to sculpt characters and narrative—as well as his utterly fresh take on how genre can be used to delight, awe, frighten, and ultimately challenge our perceptions. Wildly imaginative and powerfully resonant, it introduces an unforgettable new voice in fiction.

Longlisted for THE STORY PRIZE | A New Yorker BEST BOOK of 2023 | MOST ANTICIPATED by Nylon • Rolling Stone • The Millions From multi-award-winning author Yan Ge, a shimmering, genre-bending English-language debut that announces the next phase in a major literary career. “As haunting, dreamlike, and addictive as a melatonin-induced slumber.” —Nylon “Deft... Elsewhere [explores] the power of language across the Chinese diaspora to either bring people together or push them apart.”—The New York Times In twenty years, Yan Ge has authored thirteen books written in Chinese, working across an impressive range of genres and subjects. Now, Yan Ge transposes her dynamic storytelling onto another linguistic landscape. The result is a collection humming with her trademark wit and style—and with the electricity of a seasoned artist flexing her virtuosity with a new medium. A young woman bonds with an encampment of poets after a devastating earthquake. Against her better judgment, a college student begins to fall for an acquaintance who might be dead. And a Confucian disciple returns to the Master bearing a jar full of grisly remains. Weaving between reality and dreamy surreality, these nine stories wend toward elsewhere, a comforting, frustrating, just-out-of-reach place familiar to anyone who has ever experienced longing. Through it all Yan Ge’s protagonists peer thoughtfully at their own feelings of displacement—physical or emotional, the result of travel, emigration, or exile. Brilliant and irresistibly readable, Elsewhere explores the utility (or not) of art in the face of lonesomeness, quotidian, and spectacular. This highly anticipated collection is further proof that Yan Ge is a generational literary talent, to be watched closely for decades to come.

A haunting collection of short fiction from the bestselling author of The Pallbearers Club, A Head Full of Ghosts, and The Cabin at the End of the World. Paul Tremblay has won widespread acclaim for illuminating the dark horrors of the mind in novels and stories that push the boundaries of storytelling itself. The fifteen pieces in this brilliant collection, The Beast You Are, are all monsters of a kind, ready to loudly (and lovingly) smash through your head and into your heart. In “The Dead Thing,” a middle-schooler struggles to deal with the aftermath of her parents’ substance addictions and split. One day, her little brother claims he found a shoebox with “the dead thing” inside. He won’t show it to her and he won’t let the box out of his sight. In “The Last Conversation,” a person wakes in a sterile, white room and begins to receive instructions via intercom from a woman named Anne. When they are finally allowed to leave the room to complete a task, what they find is as shocking as it is heartbreaking. The title novella, “The Beast You Are,” is a mini epic in which the destinies and secrets of a village, a dog, and a cat are intertwined with a giant monster that returns to wreak havoc every thirty years. A masterpiece of literary horror and psychological suspense, The Beast You Are is a fearlessly imagined collection from one of the most electrifying and innovative writers working today.

* “Supple, superb.” —The Boston Globe * “A deft mash of lonesomeness and wit.” —Chicago Tribune * “Her best in more than two decades.” —The New York Times * Award-winning short story writer Ann Beattie returns with a “sophisticated, idiosyncratic, and witty” (Star Tribune, Minneapolis) collection of linked stories set in Charlottesville, Virginia, in a moment of unrest. Onlookers is collection of extraordinary stories about people living in the same Southern town whose lives intersect in surprising ways. Peaceful Charlottesville, Virginia, drew national attention when white nationalists held a rally there in 2017, a horrific event whose repercussions are still felt today. Confederate monuments such as General Robert E. Lee atop his horse were then still standing. The statues are a constant presence and a metaphoric refrain throughout this collection, though they represent different things to different characters. Some landmarks may have faded from consciousness but provoke fresh outrage when viewed through newly opened eyes. In “Nearby,” an elderly man and his younger wife watch from their penthouse as protestors gather to oppose the once “heroic” explorers Lewis and Clark depicted towering over their native guide, Sacagawea. A lawyer in “In the Great Southern Tradition” deals with a crisis on Richmond’s Monument Avenue, while his sister and nephew plant tulip bulbs at her stately home. These are stories of unexpected relationships that affirm the value of friendship, even when it requires difficult compromises or unexpected risks. Ann Beattie explores questions about the nature of community, and “proves her herself up to the task of pinpointing America’s contradictions” (Publishers Weekly).

This sharp, tender, and uproariously funny collection paints ten tragicomic portraits featuring the Arab-American community of Dearborn, Michigan.

WINNER OF THE AMERICAN ACADEMY OF ARTS AND LETTERS SUE KAUFMAN PRIZE FOR FIRST FICTION A raw and remarkable debut story collection concerning substance abuse, societal alienation, and doomed romance from a writer whose work has appeared in prestigious literary journals including The Paris Review. An amusement park employee overdoses after eating the gel of a fentanyl patch. Two homeless men discover the body of a drowned woman. A sister encounters a dangerous stranger while driving her brother to rehab. Ex-lovers seek to rekindle their relationship with the aid of an earthquake. In the nine masterful stories that comprise Thrillville, USA, debut author Taylor Koekkoek depicts Americans living on the margins of society, seeking escape from isolation and underemployment in drugs, booze, and self-destructive relationships. While the action is set largely in the rural Pacific Northwest, the characters’ malaise and disaffectedness is endemic of the country as a whole. The title takes its name from the aforementioned amusement park, but Thrillville is as much a state of mind as an actual place—a sardonic commentary on contemporary America consumed by opioid addiction, social media obsession, wealth inequality and political polarization. Yet as haunting as these stories are, they are not hopeless. Gorgeously written, they share a transcendental quality—an acknowledgment of and appreciation for the beauty in all things, even the most profane and grotesque.

From the author of Confidence and The Comedown comes a wildly imaginative story collection about queerness, neurodivergence, sexuality, and self-discovery. Frumkin’s latest book is a deliciously entertaining collection of five genre-defying stories that range from downright hilarious to brilliantly unhinged. Taken together, they celebrate a wide variety of human experiences. In the title story, a queer young adult with bipolar disorder drops out of college in a fog of depression, aimlessly drifting between maintaining their job at a fast food restaurant and dodging their mom’s texts. But when they fall in with a group of sex workers starring in BDSM films, they find radical freedom, love, and community. In other stories, we meet a psychiatrist whose meticulously-maintained life is upended by an Alex Trebek-like voice in his head, an e-girl celebrity who is being courted by a delusional fan, a young boy on the spectrum at odds with a neurotypical world determined to “cure” him, and an elderly woman whose consciousness is being transformed by her oncoming death. With incredible insight, compassion, and honesty, Frumkin unravels each story with tantalizing precision. Sexy and raw—and compulsively readable—this collection offers a look at our innermost selves as we all try to make sense of the world and our place in it.

In Fat Time and Other Stories, Jimi Hendrix, Francis Bacon, the boxer Jack Johnson, Miles Davis, and a space-age Muhammad Ali find themselves in the otherworldly hands of Jeffery Renard Allen, reimagined and transformed to bring us news of America in the twentieth and twenty-first centuries. Along with them are characters of Allen's invention: two teenagers in an unnamed big city who stumble through a down-low relationship; an African preacher who visits a Christian religious retreat to speak on the evils of fornication in an Italian villa imported to America by Abraham Lincoln; and an albino revolutionary who struggles with leading his people into conflict. The two strands in this brilliant story collection-speculative history and tender, painful depictions of Black life in urban America-are joined by African notions of circular time in which past, present, and future exist all at once. Here the natural and supernatural, the sacred and the profane, the real and fantastical, destruction and creation are held in delicate and tense balance. Allen's work has been said to extend the tradition of Ralph Ellison, William Faulkner, Henry Roth, and Ishmael Reed, but he is blazing his own path through American literature. Fat Time and Other Stories brilliantly shows the range and depth of his imagination.

From Philip K. Dick Award finalist Elwin Cotman, an irresistibly unnerving collection of stories that explore the anxieties of living while Black—a high-wire act of literary-fantastical hybrid fiction. A rural town finds itself under the authoritarian sway of a tree that punishes children. A pair of old friends navigate their fraught history as strange happenings escalate in a Mexican restaurant. A pair of narcissistic friends wreak havoc on an activist community. An aloof young man finds himself living through his lover’s memories. And a day of LARPing takes a cosmic turn. In each of the seven stories in this collection, characters pursue their obsessions on paths to glory and destruction while around them their worlds twist and warp, oscillating between reality and impossibility. On display throughout is Cotman’s ability to reveal truths about the human experience—about friendship, love, betrayal, bitterness—through whimsy, horror, and fantasy. Elegiac in tone, imaginative and humorous in their execution, the character-driven stories in Weird Black Girls challenge, incite, and entertain.

Diane Williams, "godmother of flash fiction" (The Paris Review), returns with thirty-three short, brilliant stories. In Williams's stories, life is newly alive and dangerous; whether she is writing about an affair, a request for money, an afternoon in a garden, or the simple act of carrying a cake from one room to the next, she offers us beautiful and unsettling new ways of seeing everyday life. In perfectly honed sentences, with a sly and occasionally wild wit, Williams shows us how any moment of any day can open onto disappointment, pleasure, and possibility.

Ernest Hemingway’s landmark short story of a veteran’s solo fishing trip in Michigan’s rugged Upper Peninsula, featuring a revelatory foreword by John N. Maclean. “A century since its publication in the collection In Our Time, “Big Two-Hearted River” has helped shape language and literature in America and across the globe, and its magnetic pull continues to draw readers, writers, and critics. The story is the best early example of Ernest Hemingway’s now-familiar writing style: short sentences, punchy nouns and verbs, few adjectives and adverbs, and a seductive cadence. Easy to imitate, difficult to match. The subject matter of the story has inspired generations of writers to believe that fly fishing can be literature. More than any of his stories, it depends on his ‘iceberg theory’ of literature, the notion that leaving essential parts of a story unsaid, the underwater portion of the iceberg, adds to its power. Taken in context with his other work, it marks Hemingway’s passage from boyish writer to accomplished author: nothing big came before it, novels and stories poured out after it.” —from the foreword by John N. Maclean

In his first-ever collection, the award-winning author of the Billy Boyle World War II mysteries presents an eclectic mix of new and previously published mystery stories rife with historical detail and riveting wartime storytelling. “The Horse Chestnut Tree” explores betrayal and murder during the American Revolution. In the speculative work “Glass,” an atomic supercollider and the breakdown of the time-space continuum change the lives of two cousins devoured by greed. “Vengeance Weapon,” a historical thriller about an enslaved Jewish laborer working at the Dora concentration camp, looks at how far someone will go to get revenge. And for his Billy Boyle fans, Benn delivers “Irish Tommy,” a police procedural set in 1944 Boston featuring Billy’s father and uncle.Full of terror, action, amusement, and bliss, The Refusal Camp is a must-have collection from a crime fiction veteran at the height of his career.

This program is read by the author and includes an audio-only bonus story, Call Me Ishmael's Mother. A new collection—about loss, alienation, aging, and the strangeness of contemporary life—by the award-winning, and inimitable, author of The Book of Goose. A grieving mother makes a spreadsheet of everyone she’s lost. Elsewhere, a professor develops a troubled intimacy with her hairdresser. And every year, a restless woman receives an email from a strange man twice her age and several states away. In Yiyun Li’s stories, people strive for an ordinary existence until doing so becomes unsustainable, until the surface cracks and the grand mysterious forces—death, violence, estrangement—come to light. And even everyday life is laden with meaning, studded with indelible details: a filched jar of honey, a mound of wounded ants, a photograph kept hidden for many years, until it must be seen. Li is a truly original writer, an alchemist of opposites: tender and unsentimental, metaphysical and blunt, funny and horrifying, omniscient and unusually aware of just how much we cannot know. Beloved for her novels and memoirs, she returns here to her earliest form, gathering pieces that have appeared in The New Yorker, Zoetrope, and elsewhere. Taken together, the stories in Wednesday's Child, written over the span of a decade, articulate the cost, both material and emotional, of living—exile, assimilation, loss, love—with her trademark unnerving beauty and wisdom. A Macmillan Audio production from Farrar, Straus and Giroux.

Sunrise is a collection of interconnected stories continuing Erika Kobayashi's examination of the effects of nuclear power on generations of women. Connecting changes to everyday life to the development of the atomic bomb, Sunrise shows us how the discovery of radioactive power has shaped our history and continues to shape our future. In the opening, eponymous story "Sunrise," Yoko, born exactly two years and one day after Nagasaki was decimated, mirrors her life to the development of nuclear power in Japan. In "Precious Stones," four daughters take their elderly mother to the restorative waters of a radium spring, exchanging tales of immortality. In "Hello My Baby, Hello My Honey," a woman goes into labor during the final days of WWII. And finally, "The Forest of Wild Birds" shows Erika visiting the site of the Fukushima Dai-ichi Nuclear Power Plant disaster, touring grounds that were once covered in green. Translator Brian Bergstrom returns in this collection, bringing to life Kobayashi's unsettling, lasting, and striking prose. The stories in Sunrise force a reckoning with the lasting effects of known and unknown histories and asks how much of modern life is influenced by forces outside of our control.

A bone-chilling anthology from legendary horror editor Ellen Datlow, Screams from the Dark contains twenty-nine all-original tales about monsters. From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous? Award-winning and up-and-coming authors like Richard Kadrey, Cassandra Khaw, Indrapramit Das, Priya Sharma, and more attempt to answer this question. These all-new stories range from traditional to modern, from mainstream to literary, from familiar monsters to the unknown . . . and unimaginable. This chilling collection has something to please-and terrify-everyone, so lock your doors, hide under your covers, and try not to scream.