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Lionel Pettrick
FollowI am British, born in North Wales in 1944, grew up mainly in Sheffield, and also worked for an engineering company in that city for twenty-two years. I later moved to the south of England, sp...lihat lebih banyakFollowI am British, born in North Wales in 1944, grew up mainly in Sheffield, and also worked for an engineering company in that city for twenty-two years. I later moved to the south of England, spending twenty years in the Immigration Service. Since retirement I have lived in Thailand.Only since I retired have I turned to authorship, motivated at the beginning of 2018 by the gift of a handsome desk diary with a large number of blank pages which it seemed a pity to waste. Thus my first offering, "Dillflower" was born, a collection of jottings, rants, reminiscences and descriptions of some aspects of life in Thailand. This is available as an ebook via one well-know retailer.Many years of sailing on the English Channel and elsewhere instilled in me an unbounded admiration for the men (and women) of former centuries who took to the world's oceans in wooden sailing ships. A reading of the Journal of William Bligh led me to a great interest in the story of the mutiny on the 'Bounty', and it struck me that it would be fun to try and write a story about one of the protagonists, a common seaman who signed on in a false name and about whose early life virtually nothing is known. His real name was John Adams; he ended up as the sole survivor of the mutineers who went to Pitcairn with Fletcher Christian and was celebrated by Victorian England as the leader of a pious community loyal to the British Crown. My "tale of a 'Bounty' mutineer" is therefore called "Pitcairn's Father". Really it is a simple morality tale, good triumphing over evil.In late 2019 an academic got himself a newspaper headline by saying that 'Robinson Crusoe', arguably the first novel in the English language, should be re-written with a woman as the castaway, presenting a more acceptable character to modern audiences. Without wanting to detract from Defoe's classic, I was intrigued by the notion, and taking elements from the original I created 'Frieda', a young woman seeking adventure and independence in the 17th Century. Though I didn't set out to do so, I found myself writing about issues often in the news nowadays, such as slavery and domestic abuse.Having delved quite a bit into olden times, I find myself asking whether people in the 17th or 18th Centuries were fundamentally less moral, more wicked, than we are today? I don't think so, but the vast majority of people then had a much tougher existence than most today, in Western countries at least. Given the World Wars of the 20th Century and the dire state of much of the world in 2021, I wouldn't say we have much to condemn those in former times for what they did.Britain always seems to end up nearly bankrupt after fighting major wars. That was the case not only in the 20th Century, with the First and Second World Wars, but also after defeating Napoleon. Mass unemployment, and high taxes and prices led to a great deal of unrest in the years after the Battle of Waterloo, with protests and riots in many places in England and Scotland. I became interested in various accounts of the Cato Street Conspiracy of 1820, when a group of revolutionaries plotted to murder the entire Cabinet. They were foiled by a Home Office spy, a disreputable character. He seemed to become good friends with the ringleader, and I found the betrayal of friendship an interesting subject to write about - hence my short story The Modeller, published September 2022.lihat lebih sedikit
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