“WHEN we were asked to support Joni Mitchell on tour, we’d heard some of her songs without even knowing it was her or much about her. Then our manager at the time told us that she’d said she wanted to meet us. We went to meet her somewhere in lower M

THE BEAST For a story whose whole point is that (spoiler) nothing happens, Henry James’ 1903 novella The Beast In The Jungle has proved remarkably fertile for adaptation. Bertrand Bonello’s is the fourth screen version since 2017 and the second this

WHEN Josef K were promoting a retrospective compilation in 1987, they were asked about the title. Why was it called Young And Stupid? “Because we were,” they replied. Since then, the Edinburgh band’s mystique has only grown, and their slim catalogue

FOR the Kentucky-based indie-rocker Ryan Davis it’s been a slow but steady burn. As well as releasing several promising records under the State Champion moniker and making unearthly sounds with the uncategorisable Equipment Pointed Ankh, he also runs

STEVE ALBINI | 1962–2024 Squirrel Bait, Bastro, Gastr Del Sol I first met Steve in 1984 when I was 16, visiting a friend at Northwestern [University] in Chicago. I was familiar with Big Black, so I went to see them play with Urge Overkill. It was rev

“WE’RE a very ‘Yes, and…’ kind of band,” says Josh Kaufman, one-third of Bonny Light Horseman. “That’s how we like to work. I may not know where we’re going with something, but I’m going to say yes to my comrades and just see what happens. It really

THE first true rock’n’roll guitar hero, Duane Eddy became the benchmark for a whole generation of followers, from John Fogerty and Dave Davies to Bruce Springsteen, who cited him as “a huge influence on my guitar stylings”, the most striking example

£306 NOBODY was able to displace Sony’s WH-1000XM4 headphones from the top of this list for two years… yet the latest model manages to be even better. Key to the XM5s’ overall quality are the new carbon-fibre composite 30mm drivers: they bring even g

Sam Cooke’s SAR Records Story 1959-1965 ABKCO 8/10 AT the beginning of their 1964 single “Looking Back”, The Soul Stirrers let loose a glorious fanfare of gospel harmonies, but they’ve barely settled into the song when Sam Cooke – formerly the group’

STEVIE Nicks is cruising eastbound on the Santa Monica freeway towards Sony’s Culver City studios in Los Angeles for a rehearsal with the other members of Fleetwood Mac. All five of them are together for the first time since 1998, now that Christine

IN 1976, Joni Mitchell took the songs she had written on her searching road trips across North America into her home territory of Studio C at A&M in Hollywood. This was where Mitchell had recorded every album since Clouds and she was once more workin

ADOLESCENCE is always an extreme time, but for those who came of age in the mid-’60s, it was a rather more psychedelic transition. “The world and I were going through a change at the same time,” Robyn Hitchcock explains. “I happened to be feeling int

You told Uncut in 2007 that you used to be very self-conscious about co-writing. Yeah, that would have been after working with Graham Coxon. I think that experience showed me it could be done without two blokes sitting in a rehearsal studio with acou

TexiCali YEP ROC 8/10 DAVE ALVIN hasn’t had the best of times since recording 2018’s Downey To Lubbock with Jimmie Dale Gilmore. Beginning in May 2020, the singer-guitarist received three separate cancer diagnoses, before finally, miraculously, being

“IT’S miraculous that we’ve lasted 60 years,” says Mike Love at the start of Disney’s new Beach Boys documentary. “But the reason we’ve lasted so long is because we’re family.” By my estimation this is the eighth or ninth attempt to bring the group’s

BACK in 1964, The Rolling Stones picked up an import copy of a new 7” single by ‘The Soul Queen of New Orleans’, Irma Thomas. They were instantly enamoured by the B-side, an imperious version of Jerry Ragovoy’s “Time Is On My Side”, and quickly nabbe

“IN June 1973, I’d played at an event called the Guitar Explosion at the Hollywood Bowl. Max Bennett, the bassist for the LA Express, who played on Court And Spark, saw me there, so did Roger Kellaway, who was the pianist on the first tour I did with